Grebo vs. Folk? 1989 Truly Had Something For Everyone

The Best Record of 1989: Day 47: #23 Indigo Girls, Indigo Girls vs. #106 Jesus Jones, Liquidizer

Jul 29, 2025

Good morning!

Today we’re taking a look at records from Jesus Jones and Indigo Girls

Note: As many of you know, I recently wrote about a Best Record of 1989 challenge and noted that I'd occasionally write some of these up.

I've started doing some quick hits of each matchup and posting them directly to the page. Some will be longer, some won’t, and some might just be a handful of sentences. There'll ~~probably~~ definitely be some typos.

Check 'em out and let me know your thoughts! Chin wags & hot takes welcome! Sharing and restacks are always appreciated.

KA—

One of the fun things about this challenge is revisiting records I haven't listened to since the first Clinton Administration and learning new things. It does a cynical heart good.

For instance, I had no idea that "Grebo" was a genre, with bands like PWEI, EMF, and Ned's Atomic Dustbin. It also turns out I'm a fan of it. Who knew?

There's also Jesus Jones- another band I listened to early and often back in the day, and then forgot about. Besides Right Here/Right Now (which you can hear on pretty much any '90s hour on the radio), listening to anything else is something bordering on an annual event. Usually, that involves either "Trust Me" (from Doubt) or "Never Enough" (from this record) popping in my head, me thinking "Oh yeah, I should totally play that!," doing so, and then forgetting it happened for another 364ish days.

So Grebo was a short-lived genre, and each of these tracks feels very much of that (narrow) place and time. The good news is that it was a thrilling time, and the sound here reflects that; it's kinetic, busy, and confident. The songs all kinda sound alike, but it's okay because the song rips. Check out “Move Mountains,” “Never Enough,” “All the Answers” and “Info Freako” if pressed for time.

Like PWEI, the sound can be summed up thusly: throw a bunch of genres (industrial, techno, power pop) in a blender. Set to puree. Add samples to taste. Serve immediately.

Mike Edwards's full-throttle vocals can get old, but they seem oddly endearing in the context of the time. There's maybe a "Yeaaaah!" too many in every song, but that's okay. It's been long enough between listens that I don't mind it today. To my ear, the record itself holds up, but at least some of that is down to the influence of spins.

Nevertheless.

"Right Here Right Now" casts a long shadow and unfairly saddles the band with the one-hit-wonder tag. Liquidizer itself was unfairly cast aside, a victim of Doubt's success. An innovative record at the time, it deserves more credit than it gets

This is Jesus Jones on the way up before peaking with Doubt and then crashing out in spectacular fashion with the god-awful Perverse. Liquidizer is their least polished and most alternative, and it's all the better for that rawness.

Going from the kinetic chaos of Liquidizer to the soulful folk of Indigo Girls felt the way it does when you exit the freeway and go from 70-80 mph back to 35. I really should've given things a minute to settle instead of immediately jumping in.

The upside is that the first song is the sublime "Closer to Fine." It's also the only song I can credibly claim to have heard before this morning. Like Jesus Jones, the duo of Amy Ray and Emily Sailers have been unfairly cursed with one outsized hit overshadowing much of, well, pretty much everything they've done since.

This is their major label debut. It has a basic (not derogatory) sound and an earnestness worlds away from Liquidizer's winking cynicism. Ray and Seiler's voices blend beautifully, and the guitar work is clean and out front.

I was happily surprised to hear Michael Stipe providing backing vocals on "Kid Fears." It turns out the other 3/4 of R.E.M. show up on "Tried to be True," which unsurprisingly became my favorite track on the reocrd.

This record was more intense than I'd assumed it would be. There's an occasional edge I wasn't expecting. It's nice to hear some drums, ya know? Overall, it's a solid record, top-heavy with an opener that is still their biggest hit. One could do worse than having "Closer to Fine" as your legacy. But like Jesus Jones, Indigo Girls have made an impact far larger than you'd assume if only looking at their chart record.

My vote: My heart is all in on Liquidizer. My head thinks that people will only remember “Right Here, Right Now,” and “Closer to Fine,” and will choose the latter thinking it’s a better look. My bracket pick is for Indigo Girls but I will be once again voting against my own interests and going for Jesus Jones.

Any thoughts on either of these records? Agree/disagree with my takes? Which one of these would you vote for? Sound off in the comments!