Had quite a bit of fun this weekend. I had never heard, or at least remembered hearing, the song I Shall Sing by Art Garfunkel. Other than that I had some KLF, a bit of Love And Pride.
"Wait 'Til Get Over" is great ! I'm bummed I missed this month's record discussion. Soccer's over, and the grad parties are all done, so hopefully I can start making these.
Every one of my social media feeds is full of people raving about this soundtrack. I think (?) Hulu is the only streaming service we have left, so I'm in luck!
Nice! This was an incredible album (Strictly Business, I mean). I completely missed it when I was a kid for whatever reason, too focused on whatever crap was on the radio in front of me at the time. So, the nostalgia others feel when listening to EPMD is lost on me! Not so with Tribe, though- they were way more popular locally.
I think it's still acceptable to refer to them as simply "The Alarm." Kind of like when Prince became a symbol. On the radio back in the day we still called him "Prince."
I really like the new album. I've liked a few of their more recent releases, actually.
Saturday afternoon marked the return of the 11th Annual Grateful Dead Meetup at the Movies, featuring Jerry and the boys at Soldier Field in Chicago on Solstice, June 22, 1991. Sitting on double keyboards were Vince Welnick and Bruce Hornsby, replacing (I hate the term) the great Brent Midland who passed from a drug overdose.
The set list for Soldier Field on 6/22/1991:
Set 1:
Hell in a Bucket
Shakedown Street
Wang Dang Doodle
Friend of the Devil
When I Paint My Masterpiece
Brown Eyed Women
Let it Grow
SET 2:
Foolish Heart
Looks Like Rain
Crazy Fingers
Playing in the Band
Terrapin Station
Drums
Space
Dark Star
Black Peter
One More Saturday Night
Encore: The Weight
The film itself had its good points and bad points. The good points included seeing more up close coverage from Phil Lesh and Bill Kreutzman for extended periods. Of course Bob Weir, in excellent vocal form and Jerry himself. The real treat for me was watching the upclose delivery of soloing during Drums by Micky Hart, who, in my estimation, has always gets received too little coverage of his mind blowing techniques. The theater sound was able replicate the effects of Hart’s Drums well.
The film editors cut away from Jerry’s solo licks often in lieu of showing backstage happenings of other band members. Talking with other Deadheads after the show we all felt that was a serious Achilles heel of the production. We all were so disappointed that when Jerry was getting into his prime every song, the cameras cut away.
To say that Bruce Hornsby looked uncomfortable during the structured parts of the music would be a gross understatement. Hornsby looked like he was struggling to keep pace with the rest of the band until the free-flowing parts came into play, and it was there he found his comfort zone. Nobody should ever look like they’re ever struggling through “Wang Dang Doodle”. But Hornsby pulled out his Squeeze Box and delivered one hell of an amazing delivery during “Playing in the Band” that had me thinking the keys might fall off and the bellows melt. It was absolutely mindblowing and an unexpected melding with the rest of the band. He found his place.
Vince Welnick looked like a permanent fixture, with a smoke at times hanging from his lips, until he took another drag and returned to singing. His keyboard work looked effortless and his fingers seemed to skip along in pure pleasure.
“Hell in a Bucket” reeled me in right from the start and as the set list progressed I was in a state of pure delight. I had not seen these shows because I was involved for many years in an offshore sailboat racing fleet that was a seriou commitment of time and energy. It was hard not to have gone, but I also was feeling without Brent that it would be the same. To some degree that was true. The Dead never stopped playing between songs when Brent was alive, they worked through key changes and patterns providing hints of possible song choices until one emerged. Now there were stops between songs that broke that connectivity and flow they were known for. But it was easy enough to overlook after the fourth song. It was watching Bruce Hornsby look like he was going to lay an egg that kept me wary during the first set. But he pulled through in the end.
Favorites of mine that popped up included “When I Paint My Masterpiece”, the elusive “Dark Star” which started making its return after many elusive years, and “Black Peter”. But it was the encore that shot a chill right up my spine and nearly made me cry with glee at their delivery of “The Weight”.
As the few of us who came to the show, whether it be through the lack of publicity about the film, or attrition of music listeners of The Dead, we vowed to meet up again next year… and bring some “Shakedown Street” to the parking lot beforehand.
Hi Kevin and fellow readers and writers! I’m waiting for a Lake Street Dive record I ordered online yesterday. A band I discovered thanks to you! So thanks for that 😉
I've been catching up on several releases by the band Brideshead and anyone who collects 45 rom or 7" singles will enjoy this song - https://youtu.be/TMPbyIhOyig
Very cool, I discovered them when a small local label decided to release one of their albums and I was hooked & then of course when they did a cover of my favorite Church songs, that didn't hurt either 😀
Speaking of R.E.M., you see that random “Strange Currencies” single drop this weekend? Not sure why that is a thing, ha!
Really enjoying Freeman DeJongh’s ‘Dreadful Feelings’ and trying to buy into the Militarie Gun hype - starts off white hit before sagging after a few listens.
I'm not sure if this is an endorsement or not, but I kinda hate tv shows and season one of The Bear is the best thing I've seen in a while. If you've ever worked in a kitchen, you'll especially love it / have 'nam flashbacks.
Mine. I am not a talented web designer. The Dream Pop and Bedroom Pop kept me calm during html scavenger hunts and also wanting to bring the calm to things that are frustrating to people --like navigating sprawling Los Angeles.
I am at the start of my 8 days of live music overload
- Friday was Bartees Strange, Dijon, Clairo, and Boygenius. Boygenius was everything I expected and more. For the van load of teenagers I drove, it was life-changing.
- Tonight is Toad the West Sprocket with Marcy Playground.
- Saturday is Taylor Swift….because I am a good parent 😜
But hey, I’ve also been enjoying the new singles collection from Wye Oak - Every Day Like the Last.
I'm really liking "Francesca" by Hozier, "The Fall," by Gregory Alan Isakov, "Big Eye" by Christine and the Queens, and "Catalyst" by Rising Appalachia
I've been going through some of my all-time favorite albums trying to narrow it down to what I want to discuss at next month's album of the month club discussion. I won't give away the winner, but a couple that I seriously considered were: Brian Eno/David Byrne "My Life in the Bush of Ghosts," Japan "Tin Drum" and Thomas Dolby "The Flat Earth." All three masterful, immersive albums.
If those 3 didn't make the cut, I can't wait to see what did! I mentioned it upthread, but I was bummed to miss Sunday's call. Had one last grad party to go to.
Johanna Samuels album Bystander somehow came into my earholes and I was pleasantly surprised to discover that my friend Josh produced the album. It's quite good, growing on me with each listen and I'm not saying that b/c he's a friend. Listening to the album got me thinking about another recent project of his so next I listened to Muzz which is SO good. Next it was on to Bonnie Light Horseman... needless to say, it was a very good weekend.
Highlights of the week were Bill Evans and The Raconteurs. For a deeper listen, I hope this is OK with Kevin, you can checkout my blog about this weeks listenings. It ran a bit long which is why I didn't just copy and paste in this comment box. And as always, thanks Kevin for some more great tunes, I need to re listen to REM and introduce myself to Jason Isbell and the 400 Unit. https://wordpress.com/post/weatheredmusic.ca/4885
My best friend reminded me about the freestyle genre (Lisa Lisa and Cult Jam with Full Force, Stacey Q, The Jets) and said she discovered an artist today who is carrying the torch called The Galleria. Listening to them right now and it's taking me back big time!
They're so fun! They do not have too many songs but there's multiple dub versions of each, so a good half hour or so 😀 Where I grew up in SoCal there was a mall called The Galleria and apparently there was also one in NJ, which is what this group named themselves after. I mean brilliant move to appeal to us Gen X huh!
I truly enjoyed myself, as did my ex-boyfriend. What can I say, I don’t hold grudges. He never saw a show. This was my first ever movie review. Obviously its a subject that I’m well schooled on. I grew up with my father owning a boat that raced on Lake Ontario. I crewed on boats in Chicago, (which was how I met my husband), and then in Florida, for my BIL, a bit, but did some more higher profile events.we also had a sailboat for cruising and a couple of other boats. Life was good for a while. I so wanted to do liveaboard in the USVI, but my health had other plans for me.
I'm a long-time fan of Jason Isbell and I've been enjoying his latest release so much. When I thought his songwriting couldn't get better he leveled up yet again. He has a way of crafting songs that feel like short stories in their polished completeness. "Cast Iron Skillet" is such a gorgeous song.
Had quite a bit of fun this weekend. I had never heard, or at least remembered hearing, the song I Shall Sing by Art Garfunkel. Other than that I had some KLF, a bit of Love And Pride.
But I also liked the early 90s house feel of this tune over on new music platform Sound dot xyz: https://www.sound.xyz/xinobi/extinction-event-with-moullinex
It's always a good time for 90s House music!
I LOVE this track my friend Caleb just released. https://open.spotify.com/album/1usKI3sRu1aZlMwFFWpMEy
The latest from The National, John Prine's The Missing Years, and Durand Jones' first solo album!
"Wait 'Til Get Over" is great ! I'm bummed I missed this month's record discussion. Soccer's over, and the grad parties are all done, so hopefully I can start making these.
Together Pangea
I picked "Badillac" at random 'cause I liked the title, and it rips. If you had to pick, which one should I check out next?
"Badillac" is great.
They are going to be playing the album Living Dummy for its anniversary next month. So maybe there?
I'm on it. Thanks!
The entire playlist to The Bear, Season 2, which for some reason decided to mine much of my music collection.
I’m about half way through the season and I’ve been loving the music selection.
Every one of my social media feeds is full of people raving about this soundtrack. I think (?) Hulu is the only streaming service we have left, so I'm in luck!
It doesn’t hurt that the show also is (debatably) the best on TV this year.
Lots of 90s hip hop this week, including Kool Keith, EPMD (late 80s too), Tribe Called Quest, and a bunch of others.
Nice! Kind of a gut punch that "Strictly Business" just turned 35, and that Midnight Marauders turns 30 later this year. Both are amazing though. If you're interested, Jesse Ducker did a cool lookback at the EPMD record a few weeks ago: https://albumism.com/features/epmd-debut-album-strictly-business-album-anniversary
Nice! This was an incredible album (Strictly Business, I mean). I completely missed it when I was a kid for whatever reason, too focused on whatever crap was on the radio in front of me at the time. So, the nostalgia others feel when listening to EPMD is lost on me! Not so with Tribe, though- they were way more popular locally.
Queens Of The Stone Age - In Times New Roman...
The Ruen Brothers - Ten Paces
Jason Isbell and the 400 Unit - Weathervanes
The Alarm - Forwards
Spoon - Memory Dust EP
Also a couple of projects from Rick Springfield I didn't know about:
The Red Locusts - very Beatlesesque.
The Morris Springfield Project - can only find this on Bandcamp
There's also this guy I know who happens to have the same name as mine that has a cool song out called "Rebound Girl."
The resemblance is uncanny! :)
https://open.spotify.com/track/4LZa9sjcFY0tnxpsNN1zrn?si=a2ca8e19ace14b18
Also: I did not know The Alarm (do I have to call them "The Alarm MM++" now?) had a new record out!
:) ;)
I think it's still acceptable to refer to them as simply "The Alarm." Kind of like when Prince became a symbol. On the radio back in the day we still called him "Prince."
I really like the new album. I've liked a few of their more recent releases, actually.
Saturday afternoon marked the return of the 11th Annual Grateful Dead Meetup at the Movies, featuring Jerry and the boys at Soldier Field in Chicago on Solstice, June 22, 1991. Sitting on double keyboards were Vince Welnick and Bruce Hornsby, replacing (I hate the term) the great Brent Midland who passed from a drug overdose.
The set list for Soldier Field on 6/22/1991:
Set 1:
Hell in a Bucket
Shakedown Street
Wang Dang Doodle
Friend of the Devil
When I Paint My Masterpiece
Brown Eyed Women
Let it Grow
SET 2:
Foolish Heart
Looks Like Rain
Crazy Fingers
Playing in the Band
Terrapin Station
Drums
Space
Dark Star
Black Peter
One More Saturday Night
Encore: The Weight
The film itself had its good points and bad points. The good points included seeing more up close coverage from Phil Lesh and Bill Kreutzman for extended periods. Of course Bob Weir, in excellent vocal form and Jerry himself. The real treat for me was watching the upclose delivery of soloing during Drums by Micky Hart, who, in my estimation, has always gets received too little coverage of his mind blowing techniques. The theater sound was able replicate the effects of Hart’s Drums well.
The film editors cut away from Jerry’s solo licks often in lieu of showing backstage happenings of other band members. Talking with other Deadheads after the show we all felt that was a serious Achilles heel of the production. We all were so disappointed that when Jerry was getting into his prime every song, the cameras cut away.
To say that Bruce Hornsby looked uncomfortable during the structured parts of the music would be a gross understatement. Hornsby looked like he was struggling to keep pace with the rest of the band until the free-flowing parts came into play, and it was there he found his comfort zone. Nobody should ever look like they’re ever struggling through “Wang Dang Doodle”. But Hornsby pulled out his Squeeze Box and delivered one hell of an amazing delivery during “Playing in the Band” that had me thinking the keys might fall off and the bellows melt. It was absolutely mindblowing and an unexpected melding with the rest of the band. He found his place.
Vince Welnick looked like a permanent fixture, with a smoke at times hanging from his lips, until he took another drag and returned to singing. His keyboard work looked effortless and his fingers seemed to skip along in pure pleasure.
“Hell in a Bucket” reeled me in right from the start and as the set list progressed I was in a state of pure delight. I had not seen these shows because I was involved for many years in an offshore sailboat racing fleet that was a seriou commitment of time and energy. It was hard not to have gone, but I also was feeling without Brent that it would be the same. To some degree that was true. The Dead never stopped playing between songs when Brent was alive, they worked through key changes and patterns providing hints of possible song choices until one emerged. Now there were stops between songs that broke that connectivity and flow they were known for. But it was easy enough to overlook after the fourth song. It was watching Bruce Hornsby look like he was going to lay an egg that kept me wary during the first set. But he pulled through in the end.
Favorites of mine that popped up included “When I Paint My Masterpiece”, the elusive “Dark Star” which started making its return after many elusive years, and “Black Peter”. But it was the encore that shot a chill right up my spine and nearly made me cry with glee at their delivery of “The Weight”.
As the few of us who came to the show, whether it be through the lack of publicity about the film, or attrition of music listeners of The Dead, we vowed to meet up again next year… and bring some “Shakedown Street” to the parking lot beforehand.
Sounds like a killer film, and thanks for the great breakdown! The setlist covers most of my favorites, so I'm already sold.
Sailboat racing?
I woke up with Hooked On A Feeling in my head. I listened to it quite a few times over the last couple of weeks.
https://open.spotify.com/track/6Ac4NVYYl2U73QiTt11ZKd?si=bcceuNPxTNSXu7eYUtMCWw
Oh, yes, love that song.
I thought Ally McBeal was a wonderful series. Loved the weirdness in that show.
Not a bad way to start the day!
Hi Kevin and fellow readers and writers! I’m waiting for a Lake Street Dive record I ordered online yesterday. A band I discovered thanks to you! So thanks for that 😉
Right on!
I've been catching up on several releases by the band Brideshead and anyone who collects 45 rom or 7" singles will enjoy this song - https://youtu.be/TMPbyIhOyig
FWIW, I'm still down an Asteroid no. 4 hole thanks to your mention of them last week. What a band!
Very cool, I discovered them when a small local label decided to release one of their albums and I was hooked & then of course when they did a cover of my favorite Church songs, that didn't hurt either 😀
Lol. I just bought that record. I'd listened to their version of "To Be In Your Eyes" a bunch of times, so it made sense.
Speaking of R.E.M., you see that random “Strange Currencies” single drop this weekend? Not sure why that is a thing, ha!
Really enjoying Freeman DeJongh’s ‘Dreadful Feelings’ and trying to buy into the Militarie Gun hype - starts off white hit before sagging after a few listens.
"Strange Currencies" is in the new season of The Bear.
Ah, thanks for the note. Getting into season 2 this week - great music in each episode!
Absolutely!
I hadn't! After reading below, it's one more sign that I need to watch The Bear.
I'm not sure if this is an endorsement or not, but I kinda hate tv shows and season one of The Bear is the best thing I've seen in a while. If you've ever worked in a kitchen, you'll especially love it / have 'nam flashbacks.
I have. I still have issues going to IHOP or similar.
I’ve been back and forth between two very different albums.
The first is Solstice by Macroblank which is a new artist to me (https://macroblank.bandcamp.com/album/solstice). A fantastic, very chilled album. Great focus music for me.
The second is Ray Price’s Night Life which I was introduced to on Listening Sessions (https://open.substack.com/pub/listeningsessions/p/ray-prices-night-life-and-the-fork). Can’t seem to get enough of this and have been listening to it daily for the last week.
Really dug the Macroblank record! Good for writing.
Just did a website redesign and have been listening to a lot of Dream Pop because that is the feeling I wanted to have.
Your own website, or someone else's?
Mine. I am not a talented web designer. The Dream Pop and Bedroom Pop kept me calm during html scavenger hunts and also wanting to bring the calm to things that are frustrating to people --like navigating sprawling Los Angeles.
Been listening a lot to the new Jason Isbell, as well as the new Jess Williamson album "Time Ain't Accidental."
I finally listened to Weathervanes last week, and now I'm wondering what took me so long.
I am at the start of my 8 days of live music overload
- Friday was Bartees Strange, Dijon, Clairo, and Boygenius. Boygenius was everything I expected and more. For the van load of teenagers I drove, it was life-changing.
- Tonight is Toad the West Sprocket with Marcy Playground.
- Saturday is Taylor Swift….because I am a good parent 😜
But hey, I’ve also been enjoying the new singles collection from Wye Oak - Every Day Like the Last.
What a week! Would love to see Boygenius play. Always awesome to see kids excited after a show too.
If you're interested, Abandoned Albums interviewed Toad the Wet Sprockets' Glen Phillips not too long ago: https://abandonedalbums.com/2023/03/1809/
I'm really liking "Francesca" by Hozier, "The Fall," by Gregory Alan Isakov, "Big Eye" by Christine and the Queens, and "Catalyst" by Rising Appalachia
I was tasked with listening to the new albums by Tough Age and feeble little horse last week and quite liked them a lot.
Giving feeble little horse a first listen as I type this. So far, so good!
Lots of pretty interesting sounds on there!
Right?
I've been going through some of my all-time favorite albums trying to narrow it down to what I want to discuss at next month's album of the month club discussion. I won't give away the winner, but a couple that I seriously considered were: Brian Eno/David Byrne "My Life in the Bush of Ghosts," Japan "Tin Drum" and Thomas Dolby "The Flat Earth." All three masterful, immersive albums.
If those 3 didn't make the cut, I can't wait to see what did! I mentioned it upthread, but I was bummed to miss Sunday's call. Had one last grad party to go to.
Bonny Doon's Let There Be Music and Deer Tick's Emotional Contracts are the two for me at the moment.
Huge +1 for Deer Tick.
"The Real Thing" is a great album closer.
My son’s band (he’s the drummer - they wrote & recorded this one last year when they were 17):
https://music.apple.com/us/album/hey-you-there/1661039949?i=1661039950
And my son’s friend’s band (he wrote, played all the instruments, sang & recorded this song himself):
https://music.apple.com/us/album/last-thing-you-wanted/1540632633?i=1540632634
Johanna Samuels album Bystander somehow came into my earholes and I was pleasantly surprised to discover that my friend Josh produced the album. It's quite good, growing on me with each listen and I'm not saying that b/c he's a friend. Listening to the album got me thinking about another recent project of his so next I listened to Muzz which is SO good. Next it was on to Bonnie Light Horseman... needless to say, it was a very good weekend.
I still haven't quite made it to Bystanders, but this review says Josh did some great work!
https://open.substack.com/pub/mattberenson/p/welcome-to-the-club-johanna-samuels?r=3cbf2&utm_campaign=post&utm_medium=web
Ah hah, that's where I discovered it! So much input it is often hard to remember the sources.
Highlights of the week were Bill Evans and The Raconteurs. For a deeper listen, I hope this is OK with Kevin, you can checkout my blog about this weeks listenings. It ran a bit long which is why I didn't just copy and paste in this comment box. And as always, thanks Kevin for some more great tunes, I need to re listen to REM and introduce myself to Jason Isbell and the 400 Unit. https://wordpress.com/post/weatheredmusic.ca/4885
Of course it's okay! Love "Drums & Wires"- "life begins at the Hop" might be my fave XTC track. Popsicko too!
I tried out Jason Isbell's new one, bc so many folks were talking about it; but it didn't really do anything for me. Win some, lose some.
Nothin' wrong with that!
Bopping around my trial subscription to SiriusXM:
Hot Time In The Town of Berlin - Bing Crosby and The Andrew Sisters (1944)
Terry - Twinkle (1964)
Escapism - RAYE w/070 Shake (2023)
Sirius XM is dangerous if I'm driving. Too many choices! lol. Have a favorite channel yet?
Goes without saying: The Beatles Channel (18) 😆😆
...just meet me halfway over and over and over again...
https://www.youtube.com/watch?v=3pYNd0MSVXs
That's one I haven't heard in a while!
...just cranking out daily rewatches of Over The Top :)...
Lol. Awesome.
My best friend reminded me about the freestyle genre (Lisa Lisa and Cult Jam with Full Force, Stacey Q, The Jets) and said she discovered an artist today who is carrying the torch called The Galleria. Listening to them right now and it's taking me back big time!
Oh wow! Those names take me back. I mean, mostly to terribly awkward junior dances, but still. lol. I'm gonna have to check The Galleria out!
They're so fun! They do not have too many songs but there's multiple dub versions of each, so a good half hour or so 😀 Where I grew up in SoCal there was a mall called The Galleria and apparently there was also one in NJ, which is what this group named themselves after. I mean brilliant move to appeal to us Gen X huh!
Portland had one too, so yes! lol.
And this new one, by Mean Sweetie:
https://on.soundcloud.com/hsZih5TW4hbeVTYKA
I truly enjoyed myself, as did my ex-boyfriend. What can I say, I don’t hold grudges. He never saw a show. This was my first ever movie review. Obviously its a subject that I’m well schooled on. I grew up with my father owning a boat that raced on Lake Ontario. I crewed on boats in Chicago, (which was how I met my husband), and then in Florida, for my BIL, a bit, but did some more higher profile events.we also had a sailboat for cruising and a couple of other boats. Life was good for a while. I so wanted to do liveaboard in the USVI, but my health had other plans for me.
I'm a long-time fan of Jason Isbell and I've been enjoying his latest release so much. When I thought his songwriting couldn't get better he leveled up yet again. He has a way of crafting songs that feel like short stories in their polished completeness. "Cast Iron Skillet" is such a gorgeous song.